It all begins with fallen aspen branches or reclaimed wood. I make at least one trip annually to the mountains of the southwestern United States to gather the aspen that I’ll use over the course of the year. Each of my visits to the forest is like a pilgrimage. Every time I return I’m inspired by the strength and the delicacy of the natural world. I try to include these observations in every piece that I make.

After the aspen is collected it’s dried in a room on my studio roof. Once dry I cut and shape the rough branches with a band saw. Next I make a puzzle of all the odd parts. I spread them out on the floor, stack them up on a table and move them around until everything seems to fit. The pieces are carved in small components that are joined together with pegs and nails. The surface is painted with acrylic, metal leaf and wax.

I combine my carved constructions with found objects. My carving style is simple, inspired by the iconic images found in folk, tribal and primitive art. The found items I use represent artifacts of man and nature. I consider each visual element as a writer might a word in a poem. I look for symbols that are personal and universal. I’m drawn to themes that are timely and timeless, the relationship between man and nature, the human impact on the environment, transience, humor, mystery and grace.

Like most artists my studio is filled with all sorts of unusual things. Mine happens to have more of what others discard. When I see furniture scraps, tree limbs and bits of metal piled in a corner beside a completed sculpture I feel like an alchemist. For me though alchemy is less about turning lead into gold than it is about the potential we all have to positively transform our world.